Apr 182015

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If you love seeing a true, original talent, then swiftly head for the Victoria and Albert Museum, London in South Kensington to see their blockbuster exhibition, Alexander McQueen: Savage Beauty.

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What a revelation this was – entering into the world of a privileged few who knew him, reviewed this designer or wore his clothes. It’s only by seeing the physical products that he produced that you understood what a raw and innovative talent this young Scot had – and what we lost when he left us.

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The skilful way in which the exhibition has been curated tells his story alongside his clothes – his Savile Row apprenticeship, his association with marques like Givenchy and the establishment of his own eponymous label. It’s easy to see why he was often referred to as the enfant terrible of fashion for his irreverent style and celebration of the gothic and grotesque – yet even in the most outlandish of collections, a beauty and grace shone through together with a surprising depth and grasp of historic knowledge and tradition.

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By walking through his life with this beautifully curated exhibit, I saw the skill and raw talent that he had and how his ideas have permeated every section of our society. The quote “You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition” really sums up this exhibition. You can still buy tickets for this exhibit and I urge you to do so. I came away both enlightened and informed. Just wonderful.

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Alexander McQueen: Savage Beauty, in partnership with Swarovski, supported by American Express and made possible with the co-operation of Alexander McQueen, runs from 14th March – 2nd August 2015 – www.vam.ac.uk/savagebeauty. Follow Victoria and Albert Museum on twitter @V_and_A and on Facebook: Victoria and Albert Museum.

Contributor: Sue Lowry Via Magellan PR, a boutique travel PR company.

Photographs: Reproduced courtesy of Victoria and Albert Museum, London.


May 142014


The most extravagant, the most recognisable and perhaps the most poignant statue in London for me has to be Queen Victoria’s memorial to her late lamented husband, Prince Albert, opposite the Royal Albert Hall, Kensington, London in Kensington Gardens.  It commemorates the life and work of Prince Albert of Saxe-Coburg-Gotha – a life cut short at just 42 when he died of typhoid fever.

He left behind him a grief-stricken widow who would wear her mournful weeds for the rest of her life.  This memorial to her husband took eight years to complete, was designed in the gothic manner by George Gilbert Scott and involved an army of artists and craftsmen in its complex design.

The iconography of the statutory is slightly confusing but from what I can gather, the main large sculptures on the outer edges symbolise the various continents of the world who exhibited at the Great Exhibition of 1851 which to a large degree, was organised by Prince Albert.  It took place in a temporary Crystal Palace created just a few metres away in Hyde Park.  The groups above the main frieze are symbolic of Agriculture, Manufacture, Commerce and Engineering – the major themes of the Exhibition.

The Parnassus frieze however, which runs around the memorial, depicts those figures that the Victorians considered the greatest figures in Western culture, arranged within the fields of poetry, music, painting, sculpture and architecture. Most of the statues are hewn from Campanella marble but for the figure of Prince Albert (for which 72 tons of cannon barrels were provided by Woolwich Arsenal), gilded bronze was used.



The sculptor of Albert himself – or rather sculptors – was firstly Baron Marochetti (who died), then John Foley (who again died before the statue was cast) and finally Thomas Brock who completed the work.  It shows him in his Garter robes, holding a volume of the Great Exhibition catalogue. The actual memorial opened to the general public in 1872 but without the Prince’s statue which was eventually installed three years later.  It was then covered up again  for another year so it could be gilded before being finally unveiled in March 1876.  Scott was knighted for his work on the memorial.


The monument incurred slight damage in both World Wars but it was only when a piece of lead fell off in 1983, that a full restoration was commissioned.  The monument, complete with an Albert now covered in 24-carat gold, was opened by Queen Elizabeth II in October 1998.  Rumour has it, it is a bit too ornate for her taste ….

Via Magellan PR, a boutique travel PR company. Images by Sue Lowry

Apr 222014


In the space of just 12 years (it opened in March 2000), The EDF Energy London Eye has become a symbol of London innovation and cities around the world have raced to replicate its success. Taking seven years to create, the Millennium Wheel as it was known when it opened, was designed by David Marks and Julia Barfield, a husband and wife architectural team and at 135 metres, is one of the world’s tallest observation wheels.   It is now the UK’s most popular visitor attraction with over 3.75 million customers a year.

Here are five fast facts about one of my all time favourite London attractions:

  • You can see around 40 kms (25 miles) from the top on a clear day – sometimes even as far as Windsor Castle.
  • There are 800 passengers per revolution, equivalent to 11 London red double decker busses.
  • A rotation takes around 30 minutes.
  • The weight of the wheel and capsules is 2,100 tonnes or as much as 1,272 London black cabs.
  • Kate Moss is the UK celebrity who holds the record for return visits on some 25 occasions with Jessica Alba being the international record holder at 31!

Go on – give it a whirl – I know you want to.

Via Magellan PR, a boutique travel PR company.